Where should the plants sleep after the last breath of air?

– Mahmoud Darwish

…I don’t want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.

– Aldous Huxley, A Brave New World

In 1991, responding to the failures of global capitalism, the anarchist writer and poet Peter Lamborn Wilson—also known as Hakim Bey—introduced the idea of the Temporary Autonomous Zone (T.A.Z.). Conceived as a critique of hierarchical systems, the T.A.Z. proposes a radical rethinking of freedom through ephemeral spaces of liberation—brief, self-organized zones that exist outside structures of control, only to dissolve and reappear elsewhere.

Bey imagined these as pirate islands—temporary disruptions that resist the pervasive mechanisms of control and the “immense accumulation of spectacles” that distract and desensitize individuals from the world’s urgencies. These zones reclaim our attention and time, creating spaces for critical engagement and sites where people converge to participate, reflect, imagine, and conspire the possible utopias with the potential to transform life. Such momentary disruptions may take many forms: communes, encampments, festivals, improvised gatherings, potlucks, community gardens, seed banks, cooperatives, itinerant theatres, free libraries, protests, public and digital forums, online networks, readings, jam sessions, self-organized workshops, pop-up exhibitions, poster bombing, happenings, poetry—the list goes on.


After the Last Sky adopts the spirit of Hakim Bey’s Temporary Autonomous Zone, transforming the LeRoy Neiman Gallery into a living room to explore its potential as a space of convergence and critical engagement. Bringing together works by current Columbia MFA candidates, alumni, and guest artists in dialogue with works from the LeRoy Neiman Print Center’s collection, the exhibition reimagines the living room—a site traditionally associated with private leisure and comfort—as a space for gathering, dissent, discussion, and reflection. Here, familiar domestic forms are unsettled to question the commodification of culture, redirecting our attention toward the multiplicity of perspectives on the contemporary world offered by the works in the exhibition. Through this setting, the exhibition navigates tensions between consumption, desensitization, comfort, discomfort, urgency, and political agency.

Exhibiting Artists: 

Polly Apfelbaum  Andrius Alvarez-Backus  Phong H. Bui  Danny Castro  Cecilia Caldiera  Nathan Ng Catlin  Mariano Cayo  Chloe Crookall 

william cordova  Rafael Domenech  Miguel Gallego  Alek Green  Valeria Guillen  Jessica Hans  Alfredo Jaar  Eugene Jung  Michael Joo 

Ema Ri  Calvin Kim  Sonia Rosa Kahn Soomin Kang  Elizabeth Kaiser  William Kentridge  Michael Leach  Jonas Mekas  Jon Millan 

Wenhui Quan Grethell Rasua  Francisco J. Ramirez  Maximiliano Rosiles  Miles Scharff  Liz Schneider  Sarah Sze  Shaina Tabak 

Rirkrit Tiravanija  Sarah Tortora  Marcos Valella  Tomas Vu  Joelle Yu  Liz Zito